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Furniture / 家具 2010

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文格沙发

* 文格沙发

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勒柯布耶沙发Le Corbusier LC2/3 Comfort Sofa

* Le Corbusier LC2/3 Comfort Sofa

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双人位沙发SO-10036

* 双人位沙发

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綠絨雙人复古沙發

* 单人:L:78cm*W:75cm*H:73cm 双人:L:125cm*W:73cm*H:76cm

灵格沙发

得意沙发

休闲沙发

埃姆斯沙发Eames Sofa

孔雀椅Peacock chair

明椅China Chair

* 明椅是汉斯在1944年设计的，这是在Fritz Hansen收藏品中的一张特别引人注目脱颖而出的实木椅子，其设计灵感来自于十七十八世纪时中国传统的椅子。The China Chair™ was designed by Hans J. Wegner, in 1944 and it stands out as the only solid wood chair in the Fritz Hansen collection. Wegner found inspiration for this timeless classic in Chinese chairs from the 17th and 18th Centuries.

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之字形椅Zig Zag Stoel

* The Miniatures Collection presents the most important classics of modern furniture history in miniature. The construction, materials and colours correspond to the historical Vitra Design Museum collection original right down to the last detail.

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汉斯餐椅Hans chair

* Hans chair

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汉斯椅AC-10016

* 汉斯椅由丹麥設計師 Hans J. Wegner 所設計，出生於1914年的他，對於傳統的斯堪地那維亞木工技藝工法，有著非常的熱情，特別是對於木絞的運用，細部木作的處理，皆發揮了他們北歐人獨有的堅持。以蒸氣方式加壓彎出美麗的曲線。汉斯椅帶著明式家具的極簡風格，這是 Wegner運用當時歐洲人既感到神秘又好奇的東方風格的特色，再加上他的設計概念，創作出這張風行了半個世紀的好作品。簡約的線條保留了北歐特有的味道，而明式家具對於住屋與家具之間的對話就如親子關係一般，這樣的條件，設計出的汉斯椅一般會讓每個人都有一種莫名的親切感，也會很喜歡它的。

Y chairY chair

LS休闲椅SC-10002

Paddle chairPaddle chair

* Paddle chair

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科诺纳躺椅BEC-10007

* 设计师: 保罗.沃尔德（Poul M. Volther）丹麦设计年代：1962年 1962年，丹麦设计师保罗.沃尔德尔完成了这张经典的科诺纳躺椅。椅子充满了雕塑感，斯堪德维亚风格的简洁外形和极舒适的坐感都是这张椅子成为传世之作的原因，四个椭圆形组成一张独特的椅子，无论摆放在哪，都令人过目不忘。 The Corona chair with stainless steel legs. Upholstry available in fabric or leather. soft foam. Designer Poul Volther

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小狗椅BEC-10042

* 小狗椅是芬兰设计师 Eero Aarnio所设计的另一款趣味单椅，整张椅子是用中空的塑料材质制造，十分轻盈，并充满着圆滑的线调，不会让小朋友因为玩耍而受伤，并提供家中小孩另一个生活伙伴，在充满欢乐的气氛中成长. Puppy chair is an abstract plastic dog in polyethylene and appeals to children and adults alike. Magis have created the Puppy Chair to be suitable for both indoor and outdoor use.

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小马椅BEC-10045

* 小马椅 1973年设计设计师: 艾洛.阿尼奥（Eero Aarni）芬兰设计师为成年人设计一张能让他们找回童趣的家具.椅子表面可扪各种材质布料，如羊毛绒布、各种颜色厚布等，整个小马椅的布下面都有垫弹性海绵，耐坐不变形.内部全为玻璃钢模具成型，小马的头、背部和脚精确的连成一体，整体产品前后、上下对称，增加了产品的美感! the Pony chair embodies the play and fantasy which characterizes so much of Aarnio's work and truly provides respite from day to day living. With a moulded foam body, feet and ears which are connected by a tubular frame, Pony is upholsterd in a soft stretch fabric.

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三足贝壳椅BEC-10013

* 说到胶合板家具，最著名的除了Eames 夫妇的小凳，就是 Hans Wegner 这个三足贝壳椅，它也是 Hans Wegner 的经典代表作之一. Originally introduced in 1963 by Hans J. Wegner the 3 Legged Chair (3-Benet Skalstol) was only produced in limited series until being relaunched in 1997 to much fanfare. Now a Vitra Miniature Classic from the iconic Danish designer.

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空间椅BEC-10024

* 空间椅是纤维合成材料，座位由四小部分组成更加舒适，后背和扶手可采用布料或者皮革做软垫，喷漆铸铁基座，可以旋转。 The Space lounge chair shell features a fiber-reinforced synthetic material, matt lacquered in silver or with high-gloss lacquer in white or black. The front is seperated into four sections to provide support

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卡路斯躺椅BEC-10021

* 芬兰设计大师 Yrjö Kukkapuro 1964 年发表的 Karuselli 椅，这张椅发表至今仍保留它最原始的样貌与材质，期间被无数媒体与专家誉为最舒适的休闲椅款，也是最具收藏价值的经典家具之一。卡路斯躺椅椅座外壳与采用玻璃纤维，借着镀铬钢圈与橡胶阻尼器连结椅座与椅脚，不仅可以前后摆动当成摇椅，同时也可以旋转，并搭配意大利顶级真皮皮革。1971 年被英国维多利亚-阿尔伯博物馆特列为永久收藏。

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红蓝椅BEC-10015

* 红蓝椅为全木制，由直线与平面架构出整体线条。而红、蓝、黄三原色的运用，为整张椅子注入个性与鲜活的生命力。如此鲜明对比的色彩运用在当时可说是非常前卫的设计。 In the Red Blue Chair, Rietveld manipulated rectilinear volumes and examined the interaction of vertical and horizontal planes, much as he did in his architecture. Although the chair was originally designed in 1918, its color scheme of primary colors (red, yellow, blue) plus black—so closely associated with the de Stijl group and its most famous theorist and practitioner Piet Mondrian—was applied to it around 1923.

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椰子扶手椅Coconut Chair

* The Coconut is a typical 1950s design – it stands out for its humorous touch, formal clarity and minimal use of materials.

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猪咖啡桌CT-10003

* 瑞典的四個傑出女設計師，組成的 Front Design 設計團隊，所精心打造，帶有實驗性質的設計風格，大膽將看似簡單的設計元素，轉化而成讓人驚嘆的作品，捕捉瞬間的動態畫面，細膩刻畫每個小動作的深切，讓作品在具體呈現之下，均有著栩栩如生的生動，等比例的設計打造，就如同真的動物在您的客廳，還有什麼比這個更令人惊叹的？！ Design Front, 2006. Fiberglass, ABS. The tray of the pig table is mounted to a unit that is already attached to the pig. The angle at which the tray sits is fully adjustable and can be rotated if the ground is uneven. The Pig table arrives with the Moooi Smiley Logo and beauty spots. Available in black only.

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曲木咖啡台CT-10015

* Eames夫妇设计的LCW chair & Coffe table带起了一股新风潮——摩登时髦、雅致简洁、兼顾功能性的造型美感，满足使用者的需求与便利性，更是希望为使用者带来愉悦的经验。这款咖啡桌是经过难度和精度要求都很高的曲木工艺将木材经高温多次压制到位的！相当精致,可以搭。 The table's round, slightly indented top and gently curved legs are shaped by the Eameses' process of sandwiching thin wood veneers under heat and pressure. Three strong, lightweight hardwood inner plies are pressed between natural face veneers.

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莱西欧咖啡桌CT-10012

* 布劳耶突破性地将传统的平板座椅换成了悬垂的、有支撑能力的带子，使坐在椅子上的人感觉更舒适，椅子的重量也减轻了许多。这把优雅的座椅是设计拥趸们追捧的作品，蕴含其中的设计理念远远领先于设计师所在的时代，直至今日，它的简约外观与轻巧的实用性仍令人惊叹。 As a Bauhaus apprentice in 1925, Marcel Breuer conceived the low table as a companion to the Wassily chair, the first tubular steel design based on the tubed frame of a bicycle. Every piece has an individual number of identification and authenticity .

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劳古斯咖啡桌CT-10018

* 日裔美国人野口勇(Isamu Noguchi,1904－1988年)是20世纪最著名的雕塑家之一，也是最早尝试将雕塑和景观设计结合的人。野口勇曾说；“我喜欢想像把园林当作空间的雕塑。”他一生都致力于用雕塑的方法塑造室外的土地。较早尝试将雕塑与景观设计相结合的人，是艺术家野口勇(Isamu Noguchi 1904~1988年)。野口勇曾说；“我喜欢想像把园林当作空间的雕塑。”这位多才多艺的日裔美国人一直致力于用雕塑的方法塑造室外的土地。野口勇是艺术家涉足景观设计的先驱者之一，他的作品激励了更多的艺术家投身景观领域。今天，艺术家参与创作的景观作品比比皆是。 The perfect balance - literally - between art and furniture. Sculptor Isamu Noguchi created his distinctive table by joining a curved, solid wood base with a freeform glass top. The ethereal result does not diminish the practical design - a sturdy and durable table. This marriage of sculptural form and everyday function has made the Noguchi table an understated and beautiful element in homes and offices since its introduction in 1948。

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普拉纳咖啡桌(中)CT-10017

* 普拉纳咖啡桌适用于任何休息场所、住宅或办公室。垂直的金属线条焊接成水平的和边缘的框架圆形条，喷涂清漆或像金属的青铜色。基座是平稳流畅的圆环，桌面是有机玻璃。 A wonderfully contemporary side table, designed by Warren Platner.

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普拉纳咖啡桌CT-10016

* 普拉纳咖啡桌适用于任何休息场所、住宅或办公室。垂直的金属线条焊接成水平的和边缘的框架圆形条，喷涂清漆或像金属的青铜色。基座是平稳流畅的圆环，桌面是有机玻璃。 The Platner coffee table is ideal for any lounge, residence or office. Frame features vertical steel wire rods welded to circular horizontal and edge-framing rod. Nickel finish with clear lacquer protection or painted bronze metallic. Base features a clear plastic extrusion ring that creates a smooth bottom surface. Clear glass top.

日式咖啡桌CT-10018

双层边桌CT-10019

芭蔻台灯LTA10005

* 错落有致的三个玻璃瓶巧妙的装扮成一个台灯,无论放它到哪个位置,都是中心点,都能成为家居装饰的灵魂。 Dark grey lacquered metal plate with diffusers in yellow, amber and light green blown and satin-finish glass. Tops in blown and polished sky blue glass. Also available in clear crystal and can be sold as individual items.

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马立灯LFL-10008

* 马立灯是由瑞典的四个杰出女设计师，组成的 Front Design 设计团队，所精心打造，带有实验性质的设计风格，大胆将看似简单的设计元素，转化而成让人惊叹的作品，捕捉瞬间的动态画面，细腻刻画每个小动作的深切，让作品在具体呈现之下，均有着栩栩如生的生动，等比例的设计打造，就如同真的动物在您的客厅，还有什么比这个更令人惊艳呢？ Front started in 2003 by a design group of four. All members are involved in the design process from initial discussions and ideas to final product. Their works are based on common discussions, exploring and investigations about different topics. And the final products often communicate a story to the observer about the design process, conventions within the product field or the material it is made of. The Horse lamp is available in black only.

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叶纹水晶瓶吊灯LPS-10016-5

* 由知名创意设计大师 Philippe Starck（菲利浦史塔克）所设计，线条简单，极好搭配房子里的任何角落，散发柔和的灯光，既是灯饰亦是美观的装置，真的很美。 Cicatrices De luxe is a unique design with crystal blown vases as diffusers. Suspended on chrome-plated steel shelves. Designed by Philippe Starck. Italy. Includes 8 X 35W bi-pin halogen bulbs.

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松果灯LPS-10030

* 世界知名的灯具作品 PH Artichoke 松果灯，源自于 1927-31 年，当时 Poul Henningsen 以玻璃材质打造了有 7 片叶片样貌的 PH Septima 灯款；到了 1940 年，适逢战争，原物料缺乏，于是当时需要为哥本哈根 Langelinie Pavilion 俱乐部设计的 Poul，以 Septima 为概念，搭配金属材质，打造了举世闻名的松果吊灯。如今在多款松果灯面世之后，在 2008 年达 50 周年之际，重新向世人介绍，这款源自最初的经典之作，玻璃打造的松果吊灯。手工制作的精致玻璃，让松果灯有了更令人惊叹的形貌，优雅的外观，结合柔美的自然光线，冰样感受的视觉飨宴，带给懂得品味的您，最震撼的大师钜作。 PH Septima consisted of seven shades in clear glass, sand-blown in six fields. PH Artichoke divided the shades into picket fences as Poul Henningsen called them, and it was made of copper.

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黑台灯LTA-10002

* 瑞典的四个杰出女设计师，组成的 Front Design 设计团队，所精心打造，带有实验性质的设计风格，大胆将看似简单的设计元素，转化而成让人惊叹的作品，捕捉瞬间的动态画面，细腻刻画每个小动作的深切，让作品在具体呈现之下，均有着栩栩如生的生动，等比例的设计打造，就如同真的动物在您的客厅. 由于灯座的特别设计，因此灯罩可以些许不同的角度调整，前倾或后仰，兔子也就产生了各种不同的情绪变化，也会有点像是掀起你的盖头来的感觉。 This rather gorgeous Rabbit Lamp is funny and functional. Created by the Dutch design house Moooi, who are serious about quality and style and have spearheaded a design trend that injects humour and unique, quirky character into modern design.

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黑色焚跡吊灯LPS-10005

* 新锐德国设计师 Maarten Baas 的作品，Smoke 系列的特色在于，Maarten 认为用火烧过后，可以将大量生产复制的东西，脱胎换骨，Maarten 将作品以火烤过表面后，再用环氧树脂加以处理，保护烧灼之后的脆弱，并保留些许的亮泽，让作品具有古典颓废的独特风格. 每一件 Smoke 系列作品，都是独立烧灼制作的，故带有独一无二的感受和性格，烧灼后的木头，较为脆弱，原厂均会附上一条保护的涂料以备不时之需。 Smoke from Moooi is a chandelier made from wood finished with fire. The beauty and character of burned wood is now captured in a long lasting material creating the strange sensation of a burnt chandelier. The chandelier is finished with an epoxy coat. Designed by Maarten Bass, 2002

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黑蜘蛛吊灯LPS-10004

* 2003 年设计师 Ron Gilad 的作品，将悬臂式的概念，运用的淋漓尽致，整体造型彷佛一只大蜘蛛，每一支独立的灯臂，都可以随意的调整高低，展现各种不同的姿态，将全部的灯臂收起，有如光环般围绕的优雅。是一款带有浓浓科技风味，具有个性化的作品。此盏吊灯，共有 16 个灯泡。

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锥形灯LPS-10019

* 1959年生于突尼西亚,仅仅在Chelsea School Of Art 受过六个月的美术教育训练,其后靠着自学焊接技术,以及对于艺术的喜爱,他不断的尝试不同材质和技术创新改良,将别人严重的破铜烂铁,摇身一变成为极具未来感的家具.其自认为对于工业技术和市场行销的兴趣大过于设计过程本身.作品灵感经常来自于工业设计和材料本身.经常与遨游世界的旅程中,寻找简单的原始的设计概念.他认为一个好的设计师,必须同事具备着对材料的熟悉度,和改进产品功能的信念,最后将这些测试的结果,完美的呈现在作品的外观上.如今Tom Dixon已成为家喻户晓的设计师,2001年更成立自己的设计品牌,成功的结合创意和设计理念,继续推广自己的设计精神.

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2097吊灯LPS-10015

* 由意大利灯饰设计发展举足轻重的设计师 Gino Sarfatti 所设计的超经典款式，在他从事设计的30年生涯期间，Gino Sarfatti 设计并且生产超过 400 款灯饰。此款灯饰，具有分层点灯功能，该功能需视各式室内空间水电线路状况而适用。 Suspension lamp providing diffused light. Steel central structure with brass arms, both available either chromium-plated or gilded. Steel ceiling fitting and rose. Designed in 1958 the Flos 2097 Chandelier boasts 30 or 50 arms each capable of holding a maximum of fifteen watt bulbs.

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小丑台灯二号LTA-10012

* 知名西班牙设计师 Jaime Hayon 的花器、烛台、灯具等瓷器设计，Hayon 充满奇趣幻想的华丽风格，融合了古典气质与幽默玩味，他的设计藉由 BOSA 精致的手工陶瓷技艺，擦撞出令人无限惊艳的火花。马戏团是每个小朋友的梦想园地，童心十足的 Jaime Hayon 把小丑也当成了他发挥的重要题材，在他跨界的设计作品中，可以看到小丑造型的家具、瓷偶、大型马赛克人偶...等，他与 BOSA 合作的 Clown 系列，包括了小丑摆饰、镜子以及灯饰。 the fantasy collection is, in jaime hayon's own words, a "positive cross-contamination" of his world with that of lladro, a perfect fusion of the expressiveness of porcelain art and the touches of fantasy and whimsy that hayon is famous for. born in madrid in 1974, jaime hayon is one of the world's hottest designers. his creative repertoire ranges from graphic design, exclusive furniture and decorative objects to art exhibitions. his versatility allows him to span product design and art at once.

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光场吊灯LPS-10009

* 灯具的品味很大程度上取决于细节的处理，一个温馨惬意的家，来源于自身的学识和修养、对生活的悟性与追求。把握和了解灯具的时效性、代表性的细节处理方式，并且以人为本，处处表达生活的韵味，那么浪漫与美丽的光影效果，自然就会在我们身边展现出来！ Glow from Pallucco is a series of pendant, floor, ceiling and table lamps. Glow is a dramatic lightweight design with an architectural interplay of angled pieces. The shadows created by the light are a gentle warm glow. Hardware on the Glow pendant series is finished in polished steel. Stainless steel cables are provides on the pendant models. The Glow series is available in three lacquered colors and two natural metallic finishes. Other sizes and configurations are available. The Glow Pendant is Designed by Enrico Franzolini & Vicente Garcia Jimenez, 2005

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纸吊灯LPS-10021

* 纸吊灯是 Studio Job 2005 年的作品，名符其实，它是一款由纸板经过特殊强化处理后，所雕塑而成的华丽吊灯，非常坚固耐用，其灵感来源，正是来自孩提时，纸黏土劳作的美术概念而成，别轻忽纸雕所带来的精致，细腻的工法，让它的华丽典雅，丝毫不在话下，也成了现代设计中，崭新材质运用的范例之一，在许多的 lounge 空间，展览中，都可以见到其身影。漾白的外型，搭配上巨幅的尺寸，让人不得不赞叹现代工艺技术的精湛。 The Paper Chandelier has all the grandiose qualities of an Italian crystal chandelier with the twist that it is made of paper thanks to an amazing manufacturing technique.Paper, cardboard and papier-mâché are familiar to all of us. They bring back memories of kindergarten and our first experiences of making things. Inspired by classic icons but manufactured like modern day furniture, this cardboard flat pack furniture collection is an ode to classical style and to the material.

花砖-17

花砖-16

花砖-15

花砖-14

花砖-13

花砖-12

花砖-11

花砖-10

花砖-9

花砖-8

花砖-7

花砖-6

古奇·高Guci Gao

* 古奇·高独立家居、家具设计师，常驻北京。生活艺术家、曾设计上海静安别墅71号、上海23座、北京白房子、厦门抽屉咖啡馆。

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菲利浦Philippe Starck

* Philippe Starck 菲利浦史塔克 1949 年出生于巴黎，于 Ecole Centrale des Arts Decoratifs 毕业，在 1968 年成立了自己的设计公司，专做塑料制充气成形的作品﹙inflatable objects﹚，1972 年 22 岁时即任 Pierre Cardin 的艺术指导。往后几年设计了许多夜总会及餐厅。在 1977~1978 年游历世界回欧洲后其作品便领导时尚而迅速成名。充满幽默创意的设计风格，以简单趣味的方式丰富使用者的生活经验，将设计理念深植到生活当中的他，从早期的建筑、室内设计、产品设计、甚至跨足流行领域，都充分展现他与众不同的才华。Starck 从未局限自己的设计领域，甚至勇于挑战「少即多」的设计金科，斯塔克的设计作品通常是有机型、情感丰富而且使用相当独特的材质混合。其作品的广度亦无人出其右，小至牙刷、板凳，大至整个建物造景，都有他的作品，是个既多产又创新的设计巨星。 Philippe Patrick Starck (born January 18, 1949, Paris) is a French product designer and probably the best known designer in the New Design style. His designs range from spectacular interior designs to mass produced consumer goods such as toothbrushes, chairs, and even houses.He was educated in Paris at École Nissim de Camondo and in 1968, he founded his first design firm, which specialized in inflatable objects. In 1969, he became art director of his firm along with Pierre Cardin.

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皮埃尔·波林Pierre Paulin

* Pierre Paulin 皮埃尔·波林法国泰斗级现代设计大师Pierre Paulin,也是2008巴黎家具展的设计师，设计生涯达 60 年的Pierre Paulin ，先后为法国总统庞毕度与密特朗在爱丽榭宫布置家具与摆饰。1953年，年仅26岁的Pierre Paulin就取得了成功，在斯堪的纳维亚和美国颇具影响。20世纪60年代的法国，工业设计的艺术逐渐进入到主流的行列。而Pierre Paulin与Marc Berthier、Roger Tallon作为当时最出色的工业设计师，为这一时期创造了许多经典的工业设计作品。他是法国设计领域的重要人物，其作品内涵丰富、千变万化且具有独特性。1969年，他设计的蘑菇椅（1959年）和丝带椅赢得芝加哥设计奖。除了作为一名设计师之外，他还负责很多室内设计项目：艺术家们居住在香格里拉旅游局广播电台（1961年），在爱丽舍宫的私人公寓，空客飞机（1986年）等。 Pierre Paulin, one of the seminal French designers of the mid-20th century, passed away today. Recipient of a plethora of prestigious commissions from the renovation of the private apartments of President Georges Pompidou at the Elysée, to the crafting of a stunning Swarovski chandelier for their Crystal Room at via Savona 56, Zona Tortona his work received a surge of interest towards the end of his life, resulting in numerous reissues and new designs.

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亚米·海因Jaime Hayon

* Jaime Hayon 亚米·海因 1974年4日出生于西班牙马德里，曾任Fabrica设计总监一职，作品出了平面设计和产品外，亦有涉猎艺术装置和玩具创作。因其作品别树一帜，曾先后获多个艺术团体邀请出席设计讲座，如 AIGA national design conference in NYC及 IDN my favorite conference 等，早前更获日本东京设计周邀请参与 NIKE 设计及概念工作坊 AD21，而今年更获得西班牙文化局颁发 INJUVE 艺术大奖。 Jaime Hayon认为自己设计的东西存在于不同的媒介中，虽然他的作品的确比较重艺术气息，但对他来说玩具的设计里。他认为玩具这个潮流正在不断的转变，对他来说，玩具应该是着重线条和外观，而且玩具应该不止一种角色。可能对一般人来说，这是比较难以理解的事，因为艺术跟设计其实只有一个朦胧的界定。如果有人认为这是艺术，那就是艺术，反之这就只是设计，不过，这些都只是Jaime Hayon的个人想法。 Jaime Hayon) 为Toy2R设计的Onion，可以在欧洲某些博物馆内买到，他认为Toy2R所设计的玩具，其实已经在当地渐渐开辟出另一种新的路向，这是玩具的一种演变，因为它不在只局限于玩具店，而可以在博物馆、美术馆或画廊等地方发售。 Spanish designer and artist Jaime Hayon will be one of the most influential designers in the years to come, and this is the first monograph to present the full spectrum of his work. Ranging from clear and harmonious to playfully extravagant, all of the included examples of interiors, furniture, tableware and decorative ceramics attest to his inimitable grasp of form, style and colour. In addition to celebrated collaborations with clients such as Camper, Swarovski and Bisazza, Jaime Hayon Works contains previously unreleased personal sketches, illustrations and productions of new projects that will make its world premiere debut at the annual Milan Furniture Fair in April 2008.

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